This morning the Chaplain led an unusual service in Chapel, which we hope provides comfort for the whole College community. A small number of staff attended, keeping well apart from each other under social distancing guidelines, and Reverend Owen said prayers, Mr Crombie read the lesson, and the hymn ‘The King of Love my Shepherd Is’ was sung to Mr McCarthy’s piano accompaniment.

We plan for more in the future. Listen to the 10-minute service by using the player below. If you have a problem with that, try the ‘video’ version (sound only) below it.

SCC Chapel Service from St Columba’s College on Vimeo.

Best wishes to all the College community on the strangest St Patrick’s Day ever.

Normally we would be appreciating a weekend off, and resuming classes tomorrow for the rest of term (and enjoying the Arts Week activities). However, the focus for College staff will now be on supporting their pupils academically for as long as the national schools’ closure lasts. We are already well-placed to do this, since our Firefly Learning virtual learning environment is well-embedded in College practice for some years, and this is backed up with regular use of the tools in G-Suite for Education.

Yesterday teachers received additional online training from the IT Department on using these systems, including Google Meet. They are ready to guide all classes (with priority given to public examination Forms), starting tomorrow. Both parents and pupils have been emailed about this recently.

We wish everyone in the community the very best in the times ahead.

 

Well done to the Artistic Performance class on their successful first art event. They organised and hosted an exhibition of ceramic work for 1st, 2nd and 4th Forms on Monday evening. Everyone had an important role to play in organising this: marketing, printing brochures and labels, interviewing artists, making speeches, photographers, curators, refreshments, security and printing positive quotes for every visitor to take.

The Playboy of the Western World is an ambitious play for Juniors to put on, set as it is in what is by now an alien culture for teenagers of the early 21st century, who have to speak in a language that is even more alien to them. However, Mr Jameson (who has himself performed in the play) is properly ambitious, and his cut-down version of John Millington Synge’s masterpiece told this memorable tale effectively in the BSR.

The bleakness of the Mayo shebeen was echoed in a bare set as Pegeen Mike (Daniela Nolan) opened the play showing her disdain for weedy Shawn Keogh (his personality embodied physically by Alex Hinde). The great moment when stranger Christy Mahon enters, nervous and quiet, claiming to have killed his father, was effectively played by Naoise Murray, and then built on by the locals played by Florian Zitzmann (Jimmy), Susan (Kate Higgins), Aedlagh Bradley-Brady (Nelly), Zofia Cannon-Brookes (Philly), Elizabeth Hart (Sara), Shannon Walker Kinsella (Honor) and pot-bellied Michael, Pegeen’s father (properly cheerful and self-centred as portrayed by Hal Somerville). Gradually Christy realises he is actually being seen as a hero striking back against authority, and, even better, Pegeen has an exciting alternative to Shawn Keogh. Naoise Murray conveyed this dawning discovery very well, and Emily McCarthy as the Widow Quin conveyed her own scepticism confidently. The cast was completed by Elliot Warnock as the Bell Man announcing Christy’s sporting success.

An even better moment is when Christy’s supposedly-dead father Old Mahon comes in, and Cameron McKinley brought renewed energy to the stage. Later, after he is ‘killed’ again, he repeated that entry crawling onto the stage, blood-spattered, head first, to the delight of the audience. The rest of the story played out as it should, with the audience divided between delight in Christy’s triumph and sympathy for Pegeen’s abandonment. Congratulations to all involved.

Photographs, below, by Daniel Owen.

 

Cast and Crew

Daniela Nolan: Pegeen Flaherty

Alex Hinde : Shawn Keogh

Hal Somerville: Michael James Flaherty

Florian Zitzmann: Jimmy

Zofia Cannon-Brookes: Philly

Naoise Murray: Christy Mahon

Emily McCarthy: The Widow Quin

Kate Higgins: Susan

Elizabeth Hart: Sara

Shannon Walker Kinsella: Honor

Aeladh Bradley-Brady: Nelly

Cameron McKinley: Old Mahon

Elliot Warnock: The Bell-Man

 

Production / direction: Evan Jameson and Humphrey Jones

Stage management, sound and lights: Ronan Swift

Set design: Derarca Cullen, Michael Keogh, Emma Hinde, Iona Chavasse, Avi Johnston, Edna Johnston

Costumes: Karen Hennessey

Make-up effects: Arizona Forde

 

Thanks to Donna and Ted Sherwood. 

The College’s annual Mental Health Awareness Week kicks off tomorrow (Saturday) with another rich and varied programme of events lined up to promote positive mental health and wellbeing. We have a series of visiting speakers including Jigsaw (The National Centre for Youth Mental Health), Courageous Kids, Tom Tate (on the transition from secondary school to university). We welcome back Humourfit Drama Group who will present a play on The Value of Life while there are a series of physical activities to compliment the mind through Poundfit, yoga, mindful breaking and an early morning walk. In SPHE classes, there will be a great focus on safe Internet use and the effects of social media on mental health (it’s also national Safe Internet Week in Ireland) while the Library will display a series of books related to positive mental attitude and mental health. There is also a table quiz for the whole school and a late-rising (to grab a couple of extra winks). Some activities are scheduled in the evening and Day Pupils are actively encouraged to take part. Parents can get involved too – the Parents’ Association has organised a hike up nearby Kilmashogue Mountain before the parent-teacher meeting on Friday morning.

We hope the entire school community will get behind these events; positive mental health amongst young people is such an important issue. For the full programme of events click here.

Below is a Spotify playlist for the week.

Today in Assembly we heard about the Transition Year entries for the Junk Kouture competition. They now need your help to get through to the next stage by voting for them online. We would really appreciate your help.

Voting is free: you just need to register with a few details. You can vote once every day from Monday 3rd February until Friday 7th (6 pm).  Please share the link. We are a small school so they need every vote they can get!
  1. Register to vote app.junkkouture.com
  2. Vote for the design/ designs you want to get through. You can vote for 1-4 of the designs each day. Search by their design name or follow the links below:
For more photos of the outfits have a look on the @stcolumbas_art Instagram page.

Last week, First Form pupils created wonderful posters for the Poster Competition to help spread awareness on the Australian Bushfires. Thank you to everyone who entered and congratulations to the winners; First: Lucia Gonzales Segui, Second: Ivan Zhu, and Third: Carlotta Castagna. To see more of the posters check out @stcolumbas_art on Instagram.

This week there is another poster competition running for Second Form. It is open to all pupils and there will be prizes for 1st, 2nd and 3rd places. More information on what candidates should include is outlined on Firefly. All posters should communicate information about reforestation in Australia and how human intervention and rehabilitation are needed in order to restore the land.

The posters will be displayed around the school to help raise awareness and also support the Beresford House charity. The winner will be announced on the Instagram page on Tuesday 4th February along with more details (including prizes): follow that page for updates, upcoming competitions and to see the art work of the pupils at St. Columba’s College.

Our English Department is organising the first ‘English Meet’ on the evening of Thursday 23rd April (Shakespeare’s birthday). This is an evening for teachers of the English Leaving Certificate course to share ideas. It will be held from 7pm to 9pm, and will feature practising classroom teachers presenting for 10 to 20 minutes each on different aspects of the course. There will also be plenty of time for discussion. It will be a convivial and, we hope, helpful event.

Several teachers from schools in and around Dublin have already signed up, and more are welcome: just email sccenglish@stcolumbas.ie with your suggestion.

Tickets are available here.

The Transition Year Computing class has entered the FIRST Lego League competition which takes place this Saturday 25th January at St Patrick’s Campus, DCU.  They will be represented by Orrin Bradley-Brady, Eyitoresoluwa Gbenga-Ajayi and Mika Sacolax.
They are judged on three parts:
  1. Their project related to the City Shaper theme where they have to identify a problem, design a solution to the problem and share the problem and solution with others
  2. The Robot Challenge – They need to build and design a Robot that is then programmed to perform challenges.  They need to score as many points as possible in two-and-a-half minutes.
  3. Core Values – These should guide everything that the team does.
The project that the team decided to undertake involves attempting to reinstate the College obstacle course in Deer Park.
Challenge Information

The College is pleased to host for a week the exhibition Totally East: Life in East Germany, which is now on show in Whispering House (parents coming to the coffee morning on Friday 24th January can see it then).

This exhibition of posters showcasing the photography of Harald Hauswald, with texts by Stefan Wolle (both grew up in East Germany) powerfully shows everyday life in the GDR.

QR codes on the posters link to short video interviews in German on YouTube, which can also be seen here, in which Hauswald talks about the contexts of the shots.

 

 

Each January on a Sunday evening in the Big Schoolroom we hear excellent music from both pupils and their teachers in the Staff and Pupils’ Concert, and yesterday night was there was a particularly fine concert. As Mrs Malone-Brady said in her introduction, this event is surely unique in Irish schools as a Sunday night treat. Our pupils are certainly fortunate to have excellent music teachers, but they are also fortunate to be able to listen to them performing, and indeed perform with them.

The concert opened with Darren Hatch’s supple playing of ‘Bright Young Things’ on the saxophone (Darren’s group the Chatham Saxophone Quartet was a great success in a BSR concert a couple of years ago). Then there was the first staff-pupil duet, with Steven Kou on ‘cello being supported by his teacher Anne Murnaghan (who plays in the National Symphony Orchestra). Mikey O’Dwyer from Second Form followed on trumpet with the theme tune from The Pink Panther, and Ellen Feely from First Form with a lovely Irish traditional tune on the fiddle: as Mrs Malone-Brady said, the concert featured pupils from First to Sixth Form. The next pupil was indeed a Sixth Former: Songyon Oh has featured a lot on stage this year already in Greaseand the Christmas Concert; this time she gave us a fine rendition from a very different form of music, the famous aria from Mozart’s The Marriage of Figaro, “Voi che sapete cosa è amor”.

Anne Murnaghan returned on the ‘cello with two lovely pieces performed perfectly, including Fauré’s ‘Sicilienne’, followed by a duet between pupils Steven Kou (‘cello) and Tyrone Shi (guitar), a slow version of the Frank Sinatra classic ‘Fly Me to the Moon’. They were followed by singing teacher, Fearghal Curtis (pictured), who is currently putting together an album of spiritual songs as a tribute to his grandfather, and sang two of them (accompanied by a friend, David), with sustained control: ‘Shall we Gather by the River?” and “Deep River”.

Cosima Schilling has just arrived in the school, and  it was lovely to hear the clarinet played so well in ‘Fantasia’. Tania Stokes is an ‘old hand’: accompanied by Mrs Malone-Brady she played ‘Scherzo’ with fantastic skill (the first and third sections were at a dizzying pace).

Finally, Edel Shannon rounded off the concert superbly with two spectacular solos: ‘Vilja’ from Lehár’s The Merry Widow, and ‘Vissi d’arte’ from Puccini’s Tosca.

Many thanks to all who performed, and of course to Mrs Malone-Brady for putting the programme together, and herself accompanying on several occasions.

The Warden’s first blog-post of 2020 is a personal one:

16th January 2020

I want to tell you about Brian. He was a great man and he died last Sunday, so he has been on my mind all week.

Brian du Toit was the estate manager at Tiger Kloof, the school I used to run in South Africa (above the picture is of the St Columba’s expedition there in 2018). It sits on the edge of the Kalahari Desert just outside a town called Vryburg, which you never go to unless you are heading north to Botswana or west to Namibia. The missionaries built it there 120 years ago because it sits astride Cecil Rhodes’ Cape to Cairo railway, which made it accessible to the children of the Batswana elite, coming down from the north. It became one of South Africa’s greatest African schools, educating the first two presidents of Botswana and all but one of its first cabinet. Desmond Tutu’s mother was a girl there and so was Mama Ruth Mompati, Nelson Mandela’s secretary and head of the ANC women in exile. She was on the board until she died in 2015.

In 1953 the South African apartheid government passed the Bantu Education Act, making it illegal to teach academic subjects to black children. The missionaries pulled out rather than compromise and the school was passed over to the local authority, who quickly ran it into the ground. The final ignominy came when the area in which the school lies was declared ‘Whites only’ in the Group Areas Act. All non-whites were forced to leave, the school was abandoned and the buildings and land sold off to a white farmer. He was given instructions by Prime Minister Verwoerd to destroy all the buildings and he started to do so before stopping. Nevertheless the beautiful buildings, built by the missionaries from the hard rock hewn out of the quarry in the kloof (valley) below the school, were left to rot or used as store houses and barns for livestock. It remained abandoned for 35 years.

David Matthews was a headmaster in Gaborone, the capital of Botswana, but he lived on the Garden Route on the southern coast of South Africa. His route north took him past Tiger Kloof and he always used to wonder at the beautiful church and dining hall that sat by the side of the road two hours from the Botswanan border. He asked questions and learned the history of the buildings, of the school that had once thrived and sent forth leaders into Botswana and into the struggle for liberation in South Africa. After Nelson Mandela was released from jail in 1990 he got together a group of Old Tigers, raised some money and set to work rebuilding and restoring the school. Before the school reopened in 1995 he moved on site into the old principal’s house to oversee the work. It was a mammoth task and he needed someone to be in charge of the daunting physical work, so he hired someone, who moved into the house with him a year or two before the school reopened. That man was Brian.

Brian knew every inch of Tiger Kloof and he personally oversaw the restoration or building of every almost building on the site. It is a work that still continues to this day. He loved a project, something to get his teeth into, and his standards of workmanship were high. He kept his large team of men up to the same standard and was tough on them when they cut corners. But he was fiercely loyal to them too and they respected him for it. He didn’t have favourites and he treated everyone the same, myself included. Occasionally he felt that I had not been fair to his crew and he was never afraid to let me know, respectfully but directly…he usually had a point! He was not looking for favours, just for fairness. I admired him greatly for it. If David Matthews was the Nehemiah, who had the vision to return to Jerusalem and rebuild the walls and repair the breaches, Brian was his right hand man who put words into deeds. He was not a man of speeches but rather someone who was happiest doing a job and doing it well, with his team around him.

South Africa is a country of contradictions and it is hard to understand if you haven’t lived there. As a ‘coloured’ (mixed race) South African, he had grown up with a love of rugby. However, like most non-whites, he could not bring himself to support the Springboks during the apartheid years and supported the All Blacks instead. Old habits die hard and to his dying day he could not bring himself to support the Bokke…he was even supporting England in the World Cup Final last year

By the way David Matthews, the man with the vision to reopen Tiger Kloof, did his teacher training in Dublin and spent a year doing his placement at a quaint little boarding school on the edge of the Dublin Hills, none other than St. Columba’s College.

Go well Brian. You were an example to everyone of faithfulness, dedication and loyalty. You deserve a rest. May you rest in peace and rise in glory.

The latest edition of The Submarine, edited by Avi and Edna Johnston, is now out, and can be read online (and downloaded) here. Among the articles are ones by Éile Ní Chianáin about her experience of the recent Climate Change Youth Assembly, Elise Williams on the UCD Leinster Debates, Cian Slyne on dystopian societies, and Zofia Cannon-Brookes, as well as lots of pupil art work.

Team Hope’s Christmas Shoebox Appeal is a wonderful charity that provides shoeboxes full of toys, treats, school stationery, hygiene products and clothing for some of the poorest children in the world. The College has been involved with this amazing charity for over 15 years and this year, once again, the Transition Year pupils have been actively involved. Pupils have already created over 200 festively wrapped filled boxes to date and have also fundraised through their mini-companies. They have also visited the Team Hope warehouse over the past few weeks packing the filled boxes into the lorries destined for Eastern Europe and Africa. A particular thank you to Mr Cron who has been driving the College’s involvement in the charity from day one, and to the other staff who accompanied the pupils to the warehouse in the evenings. Team Hope is once again the Gywnn House charity in 2019/2020.

Our Librarian, Ms Kent-Sutton, has put together a list of ten of the best Young Adult books from recent months. It’s below, but you can also download it (with images of covers) for printing out here. Included is the much-acclaimed first novel by Old Columban Sarah Davis-Goff, Last Ones Left Alive.

Read about all ten books on the English site here.

Lioba Preysing, Form IV, reports on her recent class visit to the National Gallery of Ireland

On Wednesday, November 13th, Form IV artists went to visit the National Gallery of Ireland in the centre of Dublin together with Ms. Cullen and Miss. Murphy. First, we went to the permanent collection of the gallery looking in particular at two paintings. The first one was by William Orpen showing a portrait of his parents sitting in their big house on two chairs. The picture does not show much detail in the background because William Orpen wanted people to focus on the double portrait. To add himself to the portrait he draws a mirror with his reflection in it. This gave the picture a personal touch. After focusing on the portrait, we drew a quick sketch of it. We also looked at a painting by Louis le Brocquy. His painting is called `A Family`. The painting had a similar painting style to Pablo Picasso. It is a grey and bleak image depicting a post-war family.

We also went to the Zurich Portrait Prize Exhibition, 2019. This is an annual competition showing portraits by Irish artists to encourage interest in contemporary portraiture and to raise the profile of the National Portrait Collection. First, we looked at the portrait of the designer John Rocha by Geraldine O Neill. This image shows the subject in his design studio behind the scenes surrounded by all the materials with which he works.

This year’s Zurich Portrait Prize has been awarded to Enda Bowe, one of 27 shortlisted artists, at the National Gallery of Ireland. He won the prize for his photograph of a young mother with her baby, Cybil McCaddy with Daughter Lulu.

In a different section were also the works of the Zurich Young Portrait Prize Competition, which is new this year. Applicants are children and young people of up to 18 years of age. The winner was a 12-year old girl!  Her work is also a photograph showing a self-portrait in black and white. It was fantastic to see all these works, especially the ones from the young children who are in our age groups. Our class really enjoyed the excursion and we look forward to trying out our own portraits in the classroom!

Science teacher (and closet musical theatre fan) Humphrey Jones reviews last weekend’s performance of Grease.

I turned forty a few months back. Almost exactly one year earlier the movie Grease reached a similar milestone: it has aged far better than I have. The music still remains as catchy as ever and the dialogue is still relevant (to all audiences); it remains witty, more than a little bit rude, cheeky and full of innuendo. I have particularly fond memories of watching Grease as a young lad and aspiring to be as cool as Danny Zuko. I never was (and sadly never will be). The prospect of watching a school performance of this well-loved musical, I must admit, made me a tad nervous. How would a young cast, from Forms I right through to VI, do the classic songs, dialogue and dance routines any sort of justice? However, as it turned out, there was no need to doubt them.

The College production of Grease delighted and entertained. Performed over three cold November nights the young cast brought huge enthusiasm and energy to the stage. They sang their hearts out, danced with gusto and delivered their lines with perfect dramatic and comedic timing. As a full cast, they did remarkably well. My biggest disappointment with the original movie was that some of the characters were almost too cool, too gritty and were old beyond their years (the actors, of course, were much older than the characters they portrayed). The younger cast in this production softened the story a little which, in my opinion, was a good thing. I’m not sure if that was deliberate or not but deserved credit to the team of directors (Ronan Swift, Geraldine Malone Brady and Tristan Clarke) for nurturing the clearly natural talent of the young cast.

And what talent! The lead actors, Emily McCarthy (Sandy) and Marcus O’Connor (Danny), were both excellent. Emily’s powerful yet melodic voice perfectly suited the role and her performance of ‘Hopelessly Devoted to You’ was memorable. Marcus’s performance was natural and nuanced and it was clear he had studied Travolta’s Danny. They worked really well together, particularly as a singing partnership. It was hard to believe that they’re in Form III and IV respectively. No doubt we will see them on stage again in the coming years.

Jack Hayes (Kenickie), Abigail O’Brien (Rizzo), Songyon Oh (Marty), Peter Taylor (Doody), Leo Moreau (Sonny) and Sakhile Khumalo (Roger) were all perfectly cast and gave brilliant vocal performances. Imogen Casey (Frenchy) caught the naivety of her character superbly while Stella Jacobs (Jan) was energetic throughout (she even managed to do some cartwheels during the final number). Phoebe Grennell (Patty) was cast in her role just two weeks before the first performance but you would have never guessed; she was convincing and confident whenever she was on stage. Oscar Yan (Teen Angel) brought the house down with his rendition of ‘Beauty School Dropout’ (I still love the line “Missed your midterms and flunked shampoo”). The surprise packages were Alex Hinde (Eugene) and Nelly Ploner (Cha-Cha) who momentarily commanded the stage during their “dance” number (some say Alex may never recover). Nelly, it must be said, took a relatively minor character in the original production and brought her front and centre. As a whole, the school dance scene was brilliantly done and huge credit to Fearghal Curtis and Edel Shannon too for their clever and tight choreography of the hand-jive (and other dance numbers). All these young actors, it must be said, were supported by a strong ensemble of would-be ‘Pink Ladies’ and ‘T-Birds’. The whole cast performed with zest and without inhibition – again credit to the team of directors in facilitating this.

The cast were accompanied by an extremely slick live band and looked every bit the part thanks to Karen Hennessey and her team in the costume room. The set design was minimal with the colourful digital backdrops, projected onto the large screen behind the stage, more than adequately setting the scenes. The Art Department, in particular Lynn Murphy and her pupils, prepared some additional props including the famous Grease Lightning car. There were many more individuals involved in the production, far too numerous to mention here.

All in all, everyone involved in Grease should be extremely proud of their efforts. They took a challenging musical, with challenging themes, and more than did it justice. Everything about Grease was excellent: the music, the dancing, the singing, the acting. There have been some unforgettable College musicals in recent years (Oklahoma and Guys & Dolls come to mind) but Grease will live long in the memory for me, for many reasons. Vince Fontaine (played by Guy Fitzgibbon) famously says in GreaseIt doesn’t matter if you win or lose, it’s what you do with your dancin’ shoes”. This young cast clearly worked those dancin’ shoes: they were all winners!

Humphrey Jones (Teacher & closet musical theatre fan)

Sunday 17th November 2019 is the 100th anniversary of a sad event in the history of St Columba’s College.

The Warden in 1919 was Reverend William Blackburn. He came to the College in September 1909 from Oriel College, Oxford, where he had been Chaplain for some years (he had previously gone to school at Repton in Derbyshire). On arrival he paid from his own funds things needed at the College, including the refurbishment of the Warden’s Drawing Room, and as G.K.White writes in his history of the College, “the ten years of his Blackburn’s Wardenship were something of a golden age in Columban history, “with numbers rising to a record 118 during the War”. In addition, “the financial position remained sound throughout, proving that the Warden was a good manager” and for once the College did not suffer from a financial crisis. He was “a born schoolmaster with an impressive personality and infectious enthusiasms… [his] popularity sprang chiefly from his friendliness, approachability and sense of humour.” In 1919 also the Masterman Library opened, thanks to the efforts of Mrs Blackburn, née Masterman, in memory of her brother, who had died in the Great War.

And then “in the prime of life, in the full flood of activity, apparently in perfect health [he] died in his sleep in the early hours of November 17th 1919.” At breakfast that Wednesday, the Sub-Warden, Mr Attwood, stood up and announced to the boys that the Warden had died during the night.

The black-framed Editorial in The Columban magazine of December 1919 reads: ‘It is with deep grief that we record the sudden death of the Warden, Rev William Blackburn, 40 (he was actually 41], M.A., which took place in the early morning hours of November 17th. In losing him we have been deprived not only of a master but of a true friend. He knew us all intimately, and watched over us with kindly care. He was always ready with wise counsel in all the trials and difficulties of school life… The funeral took place from the College to Whitechurch on November 20th. The first part of the Burial Service was read in the chapel, the Rev R.M. Gwynn conducting the service. The hymn ‘On the Resurrection Morn’ was beautifully rendered by the choir. The school then went in procession to Whitechurch, the bier being pushed by all the prefects, where the service was concluded.’ Warden Blackburn was buried beside Warden Morton (who died in office in his early 30s). On December 1st Mrs Blackburn and her children left the College and Ireland, moving to Brighton.

For the second time, Reverend ‘Robin’ Gwynn became Acting-Warden. In July 1920, there is one item in The Columban under ‘Birth’: ‘Blackburn – June 11th 1920, the wife of late Warden Blackburn, of a son.’ So Mrs Blackburn had been just two months pregnant when her husband died.

The memorial to Warden Blackburn was installed in Chapel on Easter Eve 1921 (around the same time as the Old Columban Memorial for the Great War – the Chapel Square cross and the plaque in Chapel). It is on the reredos (the screen covering the wall behind the altar), being is a figure of The Risen Christ in a mosaic by Sarah Purser (1848-1943) of the stained glass co-operative An Túr Gloine (she also restored the Founders’ windows in the Dining Hall) with below it a brass plaque reading:

TO THE GLORY OF GOD AND IN THE MEMORY OF
THE REVEREND WILLIAM BLACKBURN,
WARDEN OF THIS COLLEGE, 1909-1919.

Warden Blackburn’s grave in Whitechurch features an inclined granite cross in a kerbed space for two graves. By this century, the lettering on the cross had become severely eroded, so much so that the lower parts of it were unreadable, so the College decided to mark the centenary of the death by restoring it. However, family permission was needed for this, which was challenging: the (English) family left the country one hundred years ago.

There was one promising avenue of inquiry. At the time of her father’s death, Barbara Blackburn was 9 years old. In the 1980s under her married name she become famous as a TV ‘celebrity’ on the BBC as Barbara Woodhouse (1910-88), presenting ‘Training Dogs the Woodhouse Way’ and appearing in many other programmes. Eventually the College was able to be in touch with her daughter Judith, and thus received permission to improve the grave.

The restoration has now been completed by M. Roe and Sons, with the cross cleaned, smoothed and re-engraved, and the kerb also cleaned (the grass in the picture is natural for graves in Whitechurch). At a short ceremony, the College has just marked this with prayers and a simple commemoration by Canon Horace McKinley, Rector, our Chaplain Reverend Daniel Owen, the Warden, Sub-Warden, former Chaplain Reverend Michael Heaney and two Prefects, representatives of the pupil body. On Sunday 17th itself the Sub-Warden will give a presentation to the College at the start of Evensong on this part of our history, with ‘On the Resurrection Morn’ again being sung, by the Chapel Choir.