The annual staff and pupils’ concert is by now a very pleasant fixture in the calendar, cheering dark January days with a variety of excellent music-making. As Mrs Malone-Brady said at this year’s concert, on Sunday 22nd January, it is also an opportunity for all to hear some of their music teachers performing, and show what standards they can aspire to. The opportunities are there on a plate for pupils here, while they will not be in their future lives, and they should grab these.

This year an innovation was the fine first performance by an ensemble (on its way to becoming an orchestra?) under the tight direction of Michelle O’Reilly: flute, clarinet, oboe, saxophone, piano, violin and drums were represented in ‘My heart will go on’ and the theme tune from Pirates of the Caribbean. They were followed by a variety of excellent pupil soloists, including Aurora Higgins Jennings (accompanying on piano her own version of Adele’s ‘Make you feel my love’), Nicole Dickerson (singing Handel’s ‘Lascia ch’io pianga’), Aleksandra Murphy (Handel again, this time on flute), Tania Stokes (‘Irish Lament’ on the ‘cello), and Heinrich zu Rantzau, who to the acclaim of the audience sang ‘Cockles and Muscles’. Brothers Alex and Sam Lawrence, who presumably have plenty of opportunity to practise at home, gave us their jazzy version of ‘Bye Bye Blackbird’ on piano and saxophone respectively.

The first music teacher to perform, with her characteristic expressiveness, was Anna Brady, last year’s Gala Concert star, with Bellini’s ‘Vaga Luna’. Later we had by far the longest-serving member of the music staff, Alan Grundy, with two superb renditions: ‘My Funny Valentine’ and a ‘rowdy’ (his word) flamenco piece. Another favourite local performer, Mr Swift, took to the stage to sing ‘Southern Man’ by Neil Young (as he said, one of the few popular music greats to survive 2016), and then accompanied the smoky-voiced Aisha Burke on James Bay’s ‘Let it go’. Mairéad Buicke, another former Gala Concert star, sang Ivor Novello’s ‘We’ll gather lilacs’ beautifully. Michelle O’Reilly returned to take part in the flute quartet alongside pupils Josephine Krieger, Maria Weinrautner and Aleksandra Murphy with ‘Somewhere over the rainbow’.

Back to the pupils: Mona Lamotte O’Carroll and Aifo Ebeleghe, accompanied by Alex Russell, gave a strong performance of Passenger’s ‘Let her go’. André Stokes successfully took on the beautiful and demanding Mendelssohn Violin Concerto slow movement. Two Sixth Formers and regular BSR performers rounded off the pupils’ contributions: Max Hillery singing ‘My Way’ in his own distinctive way, and Ciara Gumsheimer confidently giving us ‘Humoresque’ by the Czech composer Dussek on the piano.

As a final treat, Anna Brady and Mairéad Buicke sang the great duet from The Marriage of Figaro, ‘Sull’ Aria’, which as Mrs Malone-Brady said in her introduction many would recognise from the film The Shawshank Redemption, and an image of how music can raise our spirits and lift us from the everyday world, ‘making our hearts big’. It was an appropriate way to end yet another impressive concert in the Big Schoolroom. Many thanks to Mrs Malone-Brady on putting together the occasion, and often accompanying, as well as to the teachers and pupils who performed.

Yesterday on Remembrance Sunday, the Chaplain, Rev Daniel Owen led the service broadcast from the RTE studios. The Chapel choir, directed by Mrs Malone Brady, played a major part singing Hewson’s ‘Let us now praise famous men’, Bach’s ‘Sheep may safely graze’ and Hutchings’ ‘We will remember them‘ plus several hymns. The service may be seen on RTE player here.

On Sunday evening Forms P and I were the first up on stage with ‘Bed and Breakfast’. A weird collection of guests come and go, causing consternation to the host and hostess. The Form II play was an adaptation of the well-known children’s spooky character The Gruffalo. All participants played their part to the full, giving great enjoyment to all. Congratulations to Mr Patterson and Mr O’Shaughnessy (Form P and I) and Mr Jones and Ms Harrahill (Form II) as directors, to Sasha Konopleva who helped with the make-up and to the pupils themselves who showed great promise. Well done to all.

Check out the photo album here.

Form P and I:James Noble, Avi Johnston, Edna Johnston, Alexander Hinde, Emma Hinde, Nikolai Foster, Guy Fitzgibbon, Caleb Owen.

Form II: Éile Ní Chianáin, Oliver Townshend, Alannah Hassett, Ailbhe Matthews, Charlotte Moffitt, Aurora Higgins, Imogen Casey, Diego Casasus.

The Reverend B.W.N. Walsh Memorial Concert was held last night in the Chapel to mark the Walsh Fund for restoring the organ. It was a superb evening of high-class music-making, particularly by the ‘headline act’, the Old Columban Colm Carey.  Click here for some photographs.

The large audience was welcomed by the Sub-Warden, Julian Girdham, who thanked all subscribers to the Fund, including the Walsh family, who were well-represented. Then former Chaplain Michael Heaney gave a tribute to his predecessor ‘Bert’, a much-loved long-serving colleague, who as well as being Chaplain and a teacher of Religious Studies was a distinguished Head of the Irish Department.

Then the concert began. Currently Master of Music of the Chapels Royal, HM Tower of London, Colm Carey started his career on the organ as a teenager in our Chapel under David Milne and Chris Jenkins, and has gone on to an impressive performing and recording career. His complete mastery of the instrument was obvious from the opening piece, a spectacular delivery of Egil Hovland’s Toccata, ‘Now thank we all our God’.  Angela Hicks (soprano) sang exquisitely throughout the concert, including a stunningly controlled version of Schubert’s Litanei auf das Fest ‘Aller Seelen’ and the engaging love song ‘Sweeter than Roses’ by Purcell.

The choir, who in December travel to Amsterdam to perform in several venues, gave us Bach’s ‘Sheep May Safely Graze’, and Mozart’s beautiful ‘Laudate Dominum’ in support of Angela Hicks.

Colm Carey’s virtuosic skills were in evidence in a wonderfully varied programme, the rest of which included pieces by Locklair, Hakim and Karg-Elert, and a memorable Durufle ‘Veni Creator’, with plainsong intervals by Angela Hicks.

The concert concluded with the choir’s resounding rendition of George Hewson’s “Let us Now Praise Famous Men'”. The standing ovation for organist and soloist at the end was thoroughly deserved. It was a superb evening, and a deserved tribute to Reverend Walsh, and is now memorialised by a new brass plaque on the organ casing.

Refreshments and chat were enjoyed by all in the Big Schoolroom afterwards.